Mysterious silver cross - The origin of the Böcklin cross
The Böcklin Crucifix
The Böcklin Crucifix (2.63 m high, 1.44 m wide) believed to have been created in Flanders around 1200, received its name due to its original placement in the Villinger/Böcklin Chapel. It was likely part of the art collection of Wilhelm Ludwig Böcklin von Böcklinsau and is first mentioned in the chapel inventory of 1588. The wooden cross, covered with gilded plates and reliefs, counts among the Minster’s oldest and most significant works of art. At its centre, it features a gilded figure of Christ with a slightly inclined head, symbolising his victory over death. The wounds and the loincloth are adorned with precious gemstones. The central axis depicts the transition from Christ's sacrificial death to his ascension: a medallion with the sacrificial lamb is followed by the Crucified, and in two further reliefs, the Ascension, and the triumphant resurrected Christ. The representations of the Four Evangelists at the ends of the cross frame the narrative of salvation: while Matthew, Luke, and John are depicted as writers, Mark is represented by the lion at the bottom.
During World War II, the cross was transferred to Bettmaringen, a village 65 km southeast of Freiburg, until it returned to the Villinger/Böcklin Chapel. Only in 2009 did it leave its original location as part of the redesign of the choir and was installed as the central focal point above the modern altar.