The Heimhofer Chapel

Concealed behind the chapel grill, this chapel was donated by Jakob Heimhofer († 1514), a financial adviser to Maximilian I. Nowadays, the chapel at the northern end of the ambulatory is the only chapel in which services are still celebrated today due to later remodelling.

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Jakob Heimhofer

Although Jakob Heimhofer was a respected servant of Emperor Maximilian, surprisingly little is known about him. He came from Baden-Baden and enrolled at the University of Freiburg in 1489. It is not known when he entered the imperial service.

  • In the window, the donor and his wife, Verena Schmid, are depicted kneeling humbly before a portrayal of the Lamentation of Christ with John the Apostle, Joseph of Arimathea, Mary, and Mary Magdalene.

    In the window, the donor and his wife, Verena Schmid, are depicted kneeling humbly before a portrayal of the Lamentation of Christ with John the Apostle, Joseph of Arimathea, Mary, and Mary Magdalene.

    • His tombstone with his coat of arms is located under the stained glass windows.

      His tombstone with his coat of arms is located under the stained glass windows.

      From 1529 to 1678, after the cathedral chapter of Basel, Switzerland, fled from the Reformation, this chapel served as its vestry, resulting in its byname ‘Alte Basler Sakristei’ (the old Basel vestry), before it was used as a storage room.


      The Tegginger altarpiece

      Since 1909, the Heimhofer Chapel has been home to the Tegginger altarpiece painting. Markus Tegginger, the auxiliary Bishop of Basel and Professor of theology in Freiburg, donated the altarpiece in 1593 for his sepulchre in the Schnewlin Chapel, where today only his grave slab remains. At the bottom of the altarpiece painting (Hans Baer, 1604), the donor kneels in front of a depiction of the Resurrection of Lazarus.

      • The antependium of the former altar was attached to the dividing wall that separates the high choir. In addition to Tegginger's coat of arms, it depicts the four evangelists with their respective symbols. They are gathered around a medallion on which Psalm 124 "Our help is in the name of the Lord" can be read.

        The antependium of the former altar was attached to the dividing wall that separates the high choir. In addition to Tegginger's coat of arms, it depicts the four evangelists with their respective symbols. They are gathered around a medallion on which Psalm 124 "Our help is in the name of the Lord" can be read.


        The chapel in possession of the Herder family


        The grille

        Above the gate in the grille, two angels present the Herder family coat of arms; the Arma Christi are spread across the grille on seven smaller escutcheons.

        • Coat of arms of the Flagellation of Christ and Arma Christi.

          Coat of arms of the Flagellation of Christ and Arma Christi.

        • Coat of arms with medieval weapons.

          Coat of arms with medieval weapons.

        • Coat of arms with crown of thorns and two reeds.

          Coat of arms with crown of thorns and two reeds.

        • Coat of arms with three nails, lance and a sponge soaked in vinegar.

          Coat of arms with three nails, lance and a sponge soaked in vinegar.

        • Coat of arms with the holy skirt of Jesus and the three cubes.

          Coat of arms with the holy skirt of Jesus and the three cubes.

        • Coat of arms with the veil of St Veronica.

          Coat of arms with the veil of St Veronica.


          Further items

          Sandstone epitaph for Auxiliary Bishop Heinrich Knecht.

          The chapel features a sandstone epitaph for Auxiliary Bishop Heinrich Knecht. From 1839 until his death, he was Auxiliary Bishop of Freiburg Minster. A detailed biography of the deceased can be read below the epitaph.


          The painted bosses


          Tegginger in Freiburg

          The House "Zum Guldin Stauf"

          Tegginger's former house "Zum Guldin Stauf" at Herrenstraße 15 is located very close to the cathedral. Tegginger's coat of arms is framed by two figures and crowned with a mitre on the relief in the bay window of the house. As a result of the remodelling work carried out by Freiburg's senior building director Joseph Schlippe after the Second World War, which severely interfered with the historical building stock, the upper floors of the buildings in the entire Herrenstraße were demolished, including those of the house "Zum Guldin Stauf".